Films catalogue

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The fade of day

Jason Todd / 2026 / 12 min. / Canada

Synopsis

Hunted by an unforeseen threat, a young father seeks refuge in the countryside. Stripped of his bearings, he questions the legacy he will offer to his newborn child. The Fade of Day is a raw and surprising fable, both direct and sensitive. Inspired by a true story.

 

Cast & Crew

  • Director : Jason Todd
  • Narration : Jules Ronfard, Rose-Anne Déry
  • Music : Cyril Tousignant (Existe), Jason Sharp
  • Poetry : Khalil Gibran, Gabriel Harvey-Savard

Genre

Experimental

Topics

Childhood, Family, Thriller

Biography

Jason is a Deaf / hard-of-hearing filmmaker, writer, and programmer. He co-directed The Roar of their engines (2021) and is currently developing several fiction short films. Alongside his creative work, he has held numerous roles within the film industry. He is a programmer for Rendez-vous Québec Cinéma and for SVOD platform Tënk, where he also served as Artistic Director and Co-Executive Director. A writer specializing in short films, his texts have been published in Séquences, Talking Shorts, and blog 24images. He has also worked as a film distributor with h264, a filmmaking mentor for Indigenous artists with Wapikoni, and a photochemical lab technician at MELS Studios.

Filmography

  • 2021
    The Roar of their Engines / 16 min.
  • 2017
    White noise / 5 min.

Festivals

SCREENER REQUEST

[2026] Riga International Film Festival, Latvia

Director's statement

The Fade of Day is a short film made in the urgency that followed the birth of my daughter, in which I explore my experience of fatherhood through certain codes of horror cinema — more specifically, the "home invasion" subgenre.

Upon her arrival in my life, I was overwhelmed by an intense and immediate wave of vulnerability, enough to throw me completely off balance. I quickly found myself struggling to embrace my new role as a father, as a powerful and unexpected urge to flee took hold of me. Where did this feeling come from? How could I be overcome by a force that seemed so contrary to my very nature? Surely, I am not the only one to have experienced such an impulse. After all, the figure of the absent or fleeing father is sadly, still deeply rooted in our sociocultural landscape.

In an effort to confront this anxiety, I instinctively turned to cinema. My camera became my diary, and the editing room, my writing tool. The result, created intuitively and without a script, took the form of a raw, fragmented film, combining various mixed media techniques to reflect the spontaneous nature of my creative process.

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